Wednesday, 2 May 2012

Fuji - Evaluation


The above image show my final image. The idea behind this was that this was the 'extremes' of drinking, my image aims to show what binge drinking can do. The first image shows my model all nice and dressed up before she goes out, she then begins drinking - the middle image - and then her night end with her on the floor in a drunken state (the last image). I believe my image fits the aim that I was intending on. I used photoshop briefly purely to place my 3 images closer together. 

I like my final image because I think it completes the aim that I set. I like how because I have used the studio to photograph my model instead of potentially photographing her on an actual night out it makes the images stronger as there is no background to focus on so you focus solely on the model and what the image is trying to portray. 

I dislike my final image as it was slightly rushed as my model was late and I only had the studio for a set amount of time. I also dislike how the 3 images aren't at the same level as I don't like the way it makes the image unsymmetrical and in my eyes, look slightly messy. I also think I could have possibly portrayed the idea slightly more than I did.

If I were to do this again I would make sure I had enough time in the studio to experiment with a variety of shots and so that I wouldn't be rushed in what I was trying to achieve. I also would also plan my shot fully so I knew exactly what I was doing within the time limit that I had. However overall I am happy with my final image.

Fuji - final images



The two images above show my experimentation by overlaying various negatives. Each image of my model is from an individual negative. I created these images by exposing each negative seperately onto the photo paper, I covered the parts of the photo paper that I didn't want exposed with the black out card in the studio. The top image was my first attempt and I didn't like the way the last image was darker and had a line through it which was from where I'd used the black out card. The second image will be my final image however I will use photoshop to make all three of the images closer together.

This is one of my negatives exposed seperately. 


This is a test strip I created, I exposed it for 3 seconds each. I chose to expose my images for 12 seconds as this looked best using the results from my test strip.

Thursday, 26 April 2012

Jade Birchnall

Jade Birchnall began at Burton College studying photography and then went on to study photography at Manchester Metropolitan University. After photographing her nan (who suffered from senile dementia) she went to take images at a Catholic run care home. Once she got to know the nuns and nurses she began photographing them. She also took an extra series of images called 'photographs for the residents' as most of the images she'd already taken were quite sad and she didn't want the residents to see themselves like that so she photographed them whilst they were laughing and smiling. Jade joined forces with a friend from university to look into photographing strippers. They contacted a number of strip clubs around the area to arrange a photoshoot. After many refusals, a strip club called 'Baby Platinum Gentleman's Club' accepted the idea. At first a lot of the girls didn't want their photographs taken however once one girl had, they changed their minds. The majority of the girls didn't want their faces in the images however this didn't phase Jade as she wanted to capture the girl's bodily imperfections. Jade has been influenced by a number of photographers who have inspired her to work more of film and produce different types of images including making audio to fit a series of her photographs.

Thursday, 22 March 2012

The Invention of Photography


            The word photography comes from the greek words phōs (genitive: phōtós) light and gráphein, to write. The first permanent photograph was produce in 1826 by Joseph Nicéphore Niépce (a French inventor). To produce his photographs he used a polished pewter plate covered with a petroleum derivative called bitumen of Judea which he then dissolved in white petroleum. Bitumen hardens with exposure to light and then the unhardened material can be washed away and the metal plate polished which leaves a positive image with light areas of hardened bitumen and dark areas of bare pewter. Niépce then went on to experiment with silver compounds based on Johann Heinrich Schultz’s discovery in 1727 that silver nitrate darkens when exposed to light. Niépce died in 1833 and left his notes to Louis Daguerre who made two contributions to the process – firstly, that exposing the silver to iodine vapour before exposing it to light then to mercury fumes after the photograph was taken it would form a latent image and secondly, that bathing the plate in a salt bath fixed the image. Six years after Niépce’s death Daguerre announced that he had invented a process using silver on a copper plate, the French government bought the patent and made it a public domain.  For many years after this a variety of artists and inventors continued to use their own processes or improved on previous ones until in 1847, Count Sergei Lvovich Levitsky designed a bellows camera which improved the process of focusing significantly. This influenced the designs of cameras for decades and is still used in some professional cameras today.
            The modern photographic process came from George Eastman in 1884 by developing dry gel on paper (or film) to replace the photographic plate so the photographer no longer needed to carry boxes of plates and toxic chemicals around. In summer 1888 Eastman’s Kodak camera went on the market so anyone could take a photograph and leave the complicated part of the process to others. In the 20th century photography continued to develop as a commercial service. Little had changed since the introduction of the 35mm Leica film camera in 1925 for the modern photographer processing black and white film. In 1957, the first digitally scanned photograph was produced; this digital scanning process was invented by Russell A. Kirsch. He developed a system capable of feeding a camera’s images into a computer and his first fed image was of his son which was set at 176x176 pixels.
            Colour photography was first explored throughout the 19th century however initial experiments only resulted in projected temporary images rather than permanent ones; until the 1870’s the emulsions available were not sensitive to red or green light. The three-colour method was first suggested in an 1855 paper on colour vision by James Clark Maxwell. It is based on the fact that the normal human eye sees colour because its inner surface is covered with millions of cone cells of three types – one more sensitive than the others to the end of the spectrum we call ‘red’, one more sensitive to the middle or ‘green’ area and one which is strongly stimulated by ‘blue’. The first colour photograph was taken in 1861 by Thomas Sutton and used Maxwell’s idea of a set of three monochrome ‘colour separations’. It was of a tartan ribbon that was made up of a variety of colours including red and green. A variety of methods for producing images were devised from 1862 on-wards by two French inventors – Louis Ducos du Hauron and Charles Cros. Then in 1873 and 1884, Hermann W. Vogel found a method to sensitize silver halide film to green and orange light however full sensitivity to red light was not achieved until the early 20th century. The first fully practical plate, Autochrome, didn’t reach the market until 1907. It was based on a screen-plate method; the screen of filters being made using dyed dots of potato starch. The screen lets filtered red, green or blue light through each grain to a photographic emulsion in contact with it. The plate is then developed to a negative and reversed to a positive which when viewed through a screen resoles colours approximating the original. Another system of colour photography, created by Sergei Mikhailovich Prokudin-Gorskii, involved three separate monochrome exposures of a still scene through red, green and blue filters which required a special machine to display but had impressive results even by modern standards. His collection of glass plates was purchased from his heirs by the Library of Congress in 1948 and is now available in digital images.
The first true digital camera that recorded images as a computerised file was the Fuji DS-1P which recorded to a 16MB internal memory card; it was never marketed in the United States. The first digital camera placed on the market was the 1990 Dycam Modal 1 (also sold as the Logitech Fotoman). It used a CCD image sensor, stored pictures digitally and connected directly to a computer for download. CCD stands for charge-coupled device which is a device for the movement of electrical charge usually from within the device to an area where the charge can be manipulated - it was invented in 1969 by Willard Boyle and George E. Smith.
In 1999 the Nikon D1 was introduced which was a 2.74 mega-pixel camera, the first DSLR (digital SLR). DSLR stands for digital single-lens reflex and the majority on DSLRs are digital cameras that use a mechanical mirror system and pentaprism to direct light from the lens to an optical view finder on the back of the camera. These cameras are preferred by professional photographers as they allow an accurate preview of framing close to the moment of exposure and allow the photographer to choose from a variety of interchangeable lenses.
Photography has come a long way from its discovery in 1826. In just under 200 years our population has gone from using plates to produce images to the highest standards of DSLRs however a variety of film cameras (including 35mm, medium-format, pinhole, and more) are still used by a number of professional photographers. There is a huge quantity of cameras – both old and modern – to choose from now-a-days if you’re considering a career in photography or just as a hobby. 

Wednesday, 14 March 2012

Martin Parr task

For the task we were asked to take an image in the style of Martin Parr that related to English traditions and English culture. I took my image of a cup of tea and a sausage sandwich in Paul's Cafe which is a little English like cafe situated in Burton. 


My image is shown above. When I edited my image using photoshop I cropped it first and then edited the levels as my image was rather dark. I then adjusted the vibrancy and saturation as Martin Parr's images all tend to be bright and the colours are over exaggerated. To finish off my image I made a new layer, added a solid white border, then used gaussian blur to blur it, I finally changed the opacity of my border to make it less noticeable. I added the border as I thought it added a nice final finish to my image.

Martin Parr

Martin Parr is a documentary photographer, photojournalist and photobook collector. He is known for his photographic projects that look at various aspects of modern life in particular suburban life in England. He began working as a professional photographer in the mid-1970s. He has almost 50 books published and has featured in around 80 exhibitions worldwide as well as being a member of Magnum Photos. He worked in black and white until 1984 when he switched to colour; he was one of the first colour photographers. As well as being a photographer he is also a keen collector, including postcards, photographs and various items of popular culture.



The above images are taken from a collection of Martin Parr's work 'Common Sense'. The series focuses on typical English traditions and English culture/nature. He uses flash throughout the majority of his images and all of them are very bright and colourful. The vibrancy of the images tend to draw you in.

Wednesday, 7 March 2012

John Myers

  • British photographer 
  • He did a fine art degree
  • It wasn't until he left uni that he got into photography
  • Main influence 'portraiture'
August Sander

He was interested in how much space there is in a picture and how space is used in images. Where are things/the subject positioned

Arbus

He was looking at how the people in her pictures are formed centrally within her images. All the figures are contained within the picture - we see the whole of the person.

  • Relies on natural lighting 
  • Most are taken at the same height and distance
  • Backgrounds vary, shot in different locations
  • At times he will move the figure to the left or right of the frame 
  • No-one is smiling in the pictures - serious faces but not unhappy
  • Photographed babies and young children
  • Needed his subject to sit still otherwise pictures would be blurry 
New work

Went on to photograph in different peoples homes. He talked about how we spend most of our day looking at screens - tv, ipod, mobile phone, computer and so on.
Photographing here is very different to abroad due to the lighting being very opposite. Here, it is in fact dull where as in America it is bright and bounces around. All his photographs were taken within a walking distance from his house.

Influence - T. H. O'Sullivan

The images look like undiscovered places, they look untouched. Often there was flat lighting in these images - never on a sunny or extreme day - this was deliberate. John also liked images that you see in estate agent windows. 

Influence - Waller Evans

He tried to learn good photography from the masters; he was evaluating techniques and skills. Again he photographed his subjects straight on - not form an angle.

Influence - E. Atget


Photographed buildings/architecture before they got knocked down. He took great care with how he photographed his subjects.



 A John Myers image

Wednesday, 25 January 2012

Extreme 2


Using some bright images that I took, using the horizontal text mask tool I typed a letter over my image then copied it and pasted it onto a blank document to spell out the word extreme. 

EXTREME



This is an image I created for task we were set. Our task was to take pictures of objects that looks like a letter or we could create the letter ourselves using objects, from this we had to create the word "extreme". This task was based on a previous winner of the FujiFilm Student Awards 2011 and the theme was senses. the image was taken by Kelly Anne Tilson which is shown below.

Wednesday, 18 January 2012

Jill Cole

Jill Cole makes work to do with The National Forest. She started her work last March and it is now near completion in January. Her aim is to reflect a moment in time by looking at 'what the forest is about'; the focus is the landscape. She wanted to do this work to add to her portfolio. Her research involved her looking at the history of The National Forest, she began with exploring and looking at a variety of areas within The National Forest and noticed that it was near large cities; she questioned how much the area is about the trees. When she visited the location she thought the following words - change, diversity, time, layers, conflict, incomplete, embryonic, multiplicity, catalyst - these were her early thoughts. She said, "in a few years time The National Forest will look very different." She went through a number of different maps - "like a place it hides as much as it reveals" - Liz Wells talking about maps. Her main focus/area of interest was still looking at the trees and land usage. "We are having to intervene to turn thing back into their natural state" - talking about replanting trees. She saw that some areas had to be taken down and destroyed to rebuild and replace the landscape. She made a video to experiment with sound and video. 

In the early stages she first documented the site and instead of using her usual film camera she used a canon mark 2. Secondly she paired up her images to experiment with them and created another video. Then, thirdly, she looked at the idea of photographing the fruits of the forest. She then went on to layer her final images, she layered two images together then she believes went well with each other.






The three above images are from - in my opinion - some of her best work. They are from a series of her images called 'birds'. The colours are all very similar (greens, yellows, browns) all colours that we associate with natural and trees and stuff. The images are all very clear and in focus. They were created over 18 months from 2007 - 2008 on British military land. They were part of a national bird ringing programme where the birds are caught during flight in a fine net supported by two poles. It was created from a larger series of work based on military training land. 

Wednesday, 11 January 2012

FujiFilm

Film types

Superia 200 - Excellent skin tones, perfect for natural subjects
                    - Refined sharpness for image quality and clarity
                    - Good results from a range of daylight conditions 

Superia X-TRA 400 - High-speed image quality whatever the shooting conditions
                                  - Excellent skin tones for people shots with added beauty
                                  - Subtle fine-grain quality even when enlarged 

Superia X-TRA 800 - High-speed versatility from a wide range of shooting conditions
                                  - Excellent gradient balance, highlight-to-shadow detail even in a low light
                                  - Good processing stability, constant, high quality results when developed

Superia 1600 - Super high-speed versatility, amazing results even in demanding situations
                      - Fine grain image quality, remarkably sharp
                      - Excellent processing stability through processing and printing

Superia Reala - Excellent for enlargements
                       - Good for mixed lighting conditions both on location and in the studio
                       - Accurately reproduces a broad range of flesh-tones


Neopan 400 - High-speed black and white with superior image quality
                     - Extremely fine grain, high quality
                     - Highly resistant to static marks


Pro 160NS - Fine grain quality
                   - Wide exposure stability
                   - Superb skin tone rendition

These are just a selection of the wide range of films that FujiFilm produces, for my final images I'm using Neopan 400 as I want my final images in black and white.



Wednesday, 4 January 2012

FujiFilm

Introduction 

For this assignment we have been asked to try to capture the word 'extreme' in a photograph. We must use Fujifilm and we have a month to capture a minimum of one image. We can submit as many images as we want however they are only looking for one as the winning image.  We will be documenting our progression using our blogs including research, ideas, etc.

Relevant ideas - Poverty, war, action, wealth, weather, extreme sports, opposites (rich/poor, fat/skinny), poverty, etc.